Most frequently asked questions


1. I have never had my work published, but I have a text which I have just finished writing. Do I need a literary agent?
Your work needs, initially, to be read critically. And if it is carried out by a literary agency, your work may be able to enter the list of authors and works represented by the agency. However, if you decide to send your work directly to a publisher, it may be read by an editor, and he may decide whether or not to publish your manuscript.

2. I sent my work to various publishing houses, however I think that many did not even read my work. Do I need a literary agent?
Literary agents have a set of criteria used to choose with which books they want to work and know what to offer each publisher. Authors realize that this facilitates their work being read by a publisher, but are aware that this process does not guarantee that their manuscript will be published. In any case, the literary agent is the person who knows what each publishing house is buying in terms of national and international books, and, knowing the past and present interests of the editorial market - and of each publisher in particular - can make the right book reach the hands of those interested in reading it.

3. I already have some books published. Amongst the publishing houses with which I work, some are excellent, whilst, with others, my relationship is very tense. Do I need a literary agent?
This is a very personal decision. There are authors who just want to develop their projects and write. Others, however, are able to write, negotiate their contracts and accompany the payment of their royalties.
What the literary agent can do - and can do very well - is sell works, negotiate contracts and accompany the payments of royalties of unpublished and published books. In this way, the author continues to have contact with his editor, whilst the agency looks after the judicial and financial part.

4. How much do I need to pay a literary agent?
The international standard is that literary agents receive a percentage of what the author is paid in royalties. This percentage can vary between 10% and 30%. For example, if the author gets R$ 1,00 of royalties (per book) the division would be: between R$ 0,90 and R$ 0,70 for the author and between R$ 0,10 and R$ 0,30 for the literary agent. It also varies from agency to agency to charge for the expenses with postage, telephone calls, photocopies and transport.

5. I am the heir or the heiress of the books of an author. Do I need a literary agent?
This is a personal decision. There are heirs that know how to sell, negotiate contracts and receive payments of royalties.
Others prefer to transfer these functions to a literary agent. Like various other types of inheritance, what is inherited is a private business. For example, for someone who has never sold or bought a property, it would be very hard to administrate by themselves an inheritance consisting of property.

6. If the literary agent does not guarantee to sell my work to a publishing house, why do I have to pay for it to be critically read?
Your work needs to be read. Without the referral of a reading made by a professional which the literary agent trusts, he will not feel at ease to offer your work to the editorial market. There are agencies that, due to the way in which they work, are able to carry out the reading without incurring any costs for the author. Others have a team of professional critical readers who already work in publishing houses, and are hired, according to demand, for this particular service. The reading guarantees that the author receives a written evaluation, which points out the strengths and weaknesses of what he has produced. Different to an evaluation made by friends, a critical reading, although still subjective, can supply the author with important elements for him to manage to be published, or for him to begin to rethink the production of his text.

7. I have written poetry, short stories, novels and even essays. Do literary agents work with all kinds of genres?
No. In Brazil, the agencies select particular genres, such as literature, business administration, esotericism etc. Some reject one type of text or another, just like there are publishing houses that only publish essays on social sciences and others which only publish technical books.

8. What is most difficult? To publish my book or to have a literary agent?
If we consider that there are approximately 3.000 publishing houses in Brazil and less than ten literary agencies, numerically, finding a publishing house seems easy. However, some publishing houses receive over 500 manuscripts each month, including unpublished national and foreign books. So you can see that to have your work selected will not be so simple. There are, however, all kinds of agreements that can be made in order for your book to be published. Some authors take part in the costs of production, when they are published by small publishing houses. Others have their payment made by carrying out part of the editing. However, these agreements - which do not follow the usual practices for the payment of royalties - are rarely negotiated through an agent.
So, there are many aspects to be considered between the author, agent and the editor. That is, in the relationship between author, agent and publisher there are many variables which need to be evaluated; and in an insecure market such as the Brazilian one, the agent is an additional guarantee that the author will be paid correctly for his work.

9. I already have my work represented by a literary agent, but wish to change agencies. Is this possible?
Despite this happening a lot abroad, in Brazil this is not common, as the options are limited. However, it is an option that is legally possible. Like any other contract, the one established between an author and his agent can also be reviewed or terminated.

10. Are an author's books published in the same order in which they were written?
Not necessarily. Often, an author's first manuscript is not approved by a publisher, but later, when he offers another manuscript, it may attract the attention of the publisher, opening the way for the publication of all his other books.
Usually, who determines the order of publication is the publisher. He understands more about the market, and, for this reason, has more information about which book would be best received. The truth is that the publishing house needs to have a certain amount of control over the publication of the book in order for sales to occur. And the author needs to trust the publisher for this partnership to work. If this does not happen, even a good book may be condemned to failure. Obviously, the author will be consulted during all the stages of the production and sale of the book.

11. Are authors easily recognised by the press, critics and teachers?
The public recognition of a writer is a tortuous path, in which many different forces come together: the marketing of the publishing house, the interest of the critics, popular taste, the relationship of the publishing house and the author with the press etc. Many great authors were turned down repeatedly by publishing houses to then be recognised as great authors. And many others, despite being published, only came to be known many years later. It is the writer's responsibility, however, to dedicate himself to his writing and to making his work public. It is the literary agent's responsibility to fight for the authors that he has decided to represent, trying to guarantee, the result which the book effectively deserves.
An author's book is an intellectual product. Those who manage to publish a book start to be seen with a certain aura of an ideologist, a communicator specialized in a particular subject and can become a reference for thousands of people. For all this to happen a number of the factors mentioned above have to come together. There are authors who do not grant interviews and become celebrities; others who appear all the time and are recognized for their opinions. Others do not manage to achieve any public recognition, but the fact that they have had their work published helps them in their professional career.

     

 

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